Our two local indigenous artists

Aunty Ros Kneebone-Dodson

Aunty Ros

Hi I am, ‘Aunt’ Ros Kneebone-Dodson an Elder of the Dja Dja Wurrung people’s of this area lived and grew up in Campbells Creek and is Castlemaine Chough’s logo design artist.
I wanted to explain the significance and meaning of this special bird that has many, many great communal qualities.

The White Winged Chough, was given a gorgeous crimson eye, and keeps a secret beneath the brightness of their glossy white wings. The ‘Chough’ reveals its secret only in flight, the brilliance of its white underwings.
Dja Dja Wurrung people believe it holds an unwavering commitment to its family, it works as a team in they travel in families – a community – which look out for, preen, feed and protect each other, raising their young and collectively alerting the community of danger. Much of this is reflected in Dja Dja Wurrung people’s traditions.

For us, it is more than what is visible to the eye; it is a living entity which holds the stories of creation and histories that cannot be erased.
Our Martinga kuli (Ancestors) believed that the Chough, held within its beautiful crimison eyes the secrets its heart, we are duty bound to look after and nurture it young for future generations.
“For my family, our dreaming stories of the Chough is interwoven into the landscape with, our Lore and our Martinga kuli murrup (Ancestral spirits) their sense of community, family and ‘working as a team’.

It gathered around our Martiinga Kuli, Ancestors, and Balaki, mob, as they passed through the land for ceremony, it nourished and alerted them. In return they were the guardians of djandak, in the care of the waterways and woodlands, ensuring the health and future of their young.


Melissa Taylor

Melissa Taylor is a proud Yorta Yorta and Dja Dja Wurrung woman and mother of two, whose creative journey began in childhood. Deeply connected to her culture and community, Melissa expresses her stories and heritage through a range of artistic practices, including traditional weaving, painting, drawing, and digital art. Her work is grounded in cultural knowledge and inspired by the landscapes and stories of her Country. Melissa continues to explore new forms of expression while honouring the traditions passed down through generations.

This artwork reflects connection to Country, journey, and water. The blue represent sky and deep water. Wattle leaves and flower symbols honour the land’s resilience and beauty. A black line outlines these, with a tan line weaving through it to show the path of people’s journeys.
Across the centre, a tan line marks riverbanks and sand. Inside it, dark green represents the landscape, layered with meeting place and waterhole symbols—honouring the First Nations’ deep connection to water and community.
This piece tells a story of movement, gathering, and belonging.

Aunty Ros and Melissa Taylor